A Soundtrack for a New Upheaval
by D.L. AdamsThe upheavals of the sixties had political and cultural contexts – the war in Vietnam and the Civil Rights movement. There is a great debate about the relationship between culture and politics; a which-came-first conundrum similar to the vexed “chicken or the egg” question. Few deny the critically important relationship between culture and political change. What the sixties generation had however we in the American Renewal movement haven’t got – a soundtrack.
There seems little doubt that the growing bitter rhetoric of American politics signifies a deep national divide. With the centrist middle ground shrunk and ignored, the language of conflict and war is heard more often now than in recent memory in political debate.
The deep relationship between music and politics that was seen during the 1960s was both reactive and causative; culture drives politics and vice versa. Because music plays a far more important role in the lives of young Americans than it has for any preceding generation the power of music to drive change and respond to it both positively and critically should not be neglected. The message is the medium.
Allan Bloom in his superb 1987 critique of education and culture “Closing of the American Mind” described the power of music and its importance to young people.
One need only ask first-year university students what music they listen to, how much of it and what it means to them, in order to discover that the phenomenon is universal in America, that it begins in adolescence or a bit before and continues through the college years. It is the youth culture and, as I have so often insisted, there is now no other countervailing nourishment for the spirit.
Californian Gary Eaton, his wife Shelli, and their politically incorrect (that is accurate) band “The Army You Have” are a case in point.
Wearing their conservative political views proudly, the Eatons and their fellow Army musicians have crafted and performed support songs and videos for Rick Perry’s 2010 gubernatorial campaign, and a humorous video tribute to Herman Cain (with the actor Nick Searcy) now receiving a great deal of worthy attention. Eaton’s guitar work can also be heard on Thaddeus McCotter’s official website. Clearly, the world of music and art is not exclusively a liberal domain.
Gary Eaton is on to something important. His music has a classic American rock and blues style but with highly charged conservative political messages. The Army You Have and the few bands across the country with similar views have taken the threads of the wave of protest music from the sixties and completely rewoven them into a new tapestry.







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