One of the co-conspirators in a White House-approved plot to use federal resources to produce partisan propaganda to advance President Obama’s policy agenda has been chosen to lead an Obama 2012 get-out-the-vote (GOTV) effort.

The Obama operative chosen to head the GOTV effort, Buffy Wicks, was deputy director of the White House Office of Public Engagement. In that capacity she participated in a now-infamous 2009 conference call in which Obama officials urged artists to create art that would help advance Obamacare and the rest of the president’s policy objectives.

Wicks will head a GOTV effort named after the branch of ACORN that employed Obama in 1992. Perhaps to honor Obama’s radical roots, the “campaign-within-a-campaign” will be named “Project Vote,” according to Politico’s Mike Allen.

Obama’s storied performance as head of Project Vote in Illinois during the 1992 campaign was widely credited with getting the radical left-wing Democrat Carol Moseley Braun elected to the U.S. Senate. It also helped Obama cement his reputation as a master community organizer.

The original Project Vote is part of the ACORN network. It continues to operate out of ACORN’s Washington, D.C. headquarters, and works with the new ACORN front groups created after ACORN, the shell corporation that ran the network, filed for bankruptcy last November.

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On March 23, 2011, the National Education Association (NEA), the nation’s largest teachers’ union, will partner with Rock the Vote, a self-professed “nonpartisan” organization, for the first annual Democracy Day. This event is advertised as a celebration of the 40th anniversary of passage of the 26th Amendment, which gave 18 year-olds the right to vote. The NEA claims that this amendment was passed because of a joint effort by teachers and students, and so will mark this occasion by providing high school teachers with a lesson plan and a free video that will hope to “empower students to navigate the election system, register to vote, and use their rights in our democracy.”

The fact that the liberal teachers’ union organization, which has access to millions of American adolescents, will hope to bolster Democratic voter turnout for the 2012 presidential election by couching their political agenda in a “civics lesson” is, at the very least, unethical, and consistent with the incestuous nature of public sector unions. The fact that it is partnering with Rock the Vote, which produced a video, in support of President Obama’s Healthcare bill, that urged young people to abstain from sex (aka, the “f” word) with anyone who did not support Obamacare, makes their pitch laughable. Yes, NEA is even touting that this Democracy Day lesson will meet the national educational standards.

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The NEA apology from the White House is laughable, at best.  Again, if this was just all a big misunderstanding then why was a representative from one of the country’s largest political advertising firms involved?  And pushing the health care agenda on company time?

I believe the following information might help explain Bim Ayandele’s involvement.  Not only did he help set up the Office of Public Engagement, but before joining a division of one of the largest PR firms in the world — which specializes in “grassroots organization”, “issues management” and “crisis communications” — Ayandele:

served as the Director of Cures Now, a Los Angeles based non-profit organization leveraging a coalition of actors, directors, producers, musicians, and writers to promote the rapid, responsible and ethical advancement of science-related social issues, such as stem-cell research and diabetes awareness.

It seems Mr. Ayandele’s expertise is in “leveraging” the entertainment industry to “promote” health care related issues. A skill which would have been useful should, say, the White House or another interested third party wish to get NEA grant recipients to push President Obama’s health care agenda.

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Today, Big Hollywood released a full audio recording and transcript of the NEA conference call. A full review of the call reveals several new and more troubling aspects to what transpired on the August 10^th phone call. What is inescapable is that the origin of the call reaches into the highest offices of the White House. It is clear, from the transcript, that the call was orchestrated by the Office of Public Engagement, whose Director, Valerie Jarrett, is among the closest advisors to President and First Lady Obama. It is also apparent that Ms. Jarrett’s office directed the involvement of the National Endowment for the Arts and the Corporation for National and Community Service, two independent federal agencies. (This is important, as neither is officially part of the executive branch.)

At the very beginning of the call, the general ‘moderator’ of the call, Michael Skolnik, political director for Hip-Hop mogul Russell Simmons, explains the genesis of the call:

I have been asked by people in the White House and folks in the NEA about a month ago in a conversation that was had. We had the idea that I would help bring together the independent artists community around the country.

This is important, because in the immediate aftermath of the breaking story, the NEA has tried to state that a ‘third party’ organized the call. This clearly isn’t true. The e-mail invitation to the call was sent from Mr. Sargent’s government-provided NEA e-mail address. In addition, as the transcript reveals, Mr. Sloknik was “asked” by the White House and NEA to organize the call.

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In the aftermath of the Andrew Breitbart/James O’Keefe/Hannah Giles-broken ACORN scandal, President Obama and his allies in Congress have distanced themselves from the community organizing goliath.  Congress has cut off funds, and Obama has refused to speak about the matter.  End of story, right?

Wrong.

There’s only one problem: the ACORN mentality – pinpointing and mobilizing particular groups in support of a radical-left agenda – is no longer restricted to government-funded private non-profits like ACORN.  The ACORN mentality now dominates the government itself.  Taxpayer dollars are being used by elected officials to encourage the deification of President Obama and his agenda.  And one of the chief organs of the government propaganda machine is the National Endowment for the Arts.

Let’s start from the beginning.  On August 25, artist Patrick Courrielche told the story of a conference call he attended on August 10.  That conference call was hosted by the NEA, the White House Office of Public Engagement, and United We Serve.  The goal of the conference call: “to help lay a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”  The call would push “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!” (more…)

The White House is attempting to mimic Leni Riefenstahl by rounding up those in the arts and entertainment industry and using them as the vehicles through which President Obama can peddle his agenda.

The National Endowment for the Arts denies that it was working with White House officials to promote the president’s agenda through the arts via this taxpayer-funded organization:

This call was not a means to promote any legislative agenda and any suggestions to that end are simply false. The NEA regularly does outreach to various organizations to inform of the work we are doing and the resources available to them.”

Unfortunately, the transcript of the actual call does not corroborate the NEA’s statement. BigGovernment.com obtained the full transcript of the conference call on which White House official Buffy Wicks (of the Office of Public Engagement and head administration official for Serve.gov; Wicks previous worked with WakeUp Walmart and was a lobbyist for the United Food and Commercial Workers’ Union), and others – including lead organizers with Rock the Vote and Current TV – discussed ways to co-opt the art community for political purposes and manipulate those around them so as to push things like Obama’s health care legislation. It’s a call that call participant Patrick Courrichie says raised the hair on his arms.

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At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website.

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Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

**NEA conference call full audio and transcript here**

Should the National Endowment for the Arts encourage artists to create art on issues being vehemently debated nationally?

That is the question that I set out to discuss a little over three weeks ago when I wrote an article on Big Hollywood entitled The National Endowment for the Art of Persuasion?”

The question still requires debate but the facts do not.

The NEA and the White House did encourage a handpicked, pro-Obama arts group to address politically controversial issues under contentious national debate. That fact is irrefutable.

President Obama with the NEA’s Yosi Sergant

But some have claimed that the invite and passages, pulled from the conference call that inspired the article, were taken out of context. Context is what I intend to establish here.

On August 10th, the National Endowment for the Arts, the White House Office of Public Engagement, and the Corporation for National and Community Service hosted a conference call with a handpicked arts group. This arts group played a key role in Obama’s arts effort during his election campaign, as declared by the organizers of the call, and many on the call played a role in the now famous Obama Hope poster. (more…)

On August 25th 2009, Big Hollywood’s Patrick Courrielche broke the story of a conference call he attended with other “rising artist and art community luminaries”:

On Thursday August 6th, I was invited by the National Endowment for the Arts to attend a conference call scheduled for Monday August 10th hosted by the NEA, the White House Office of Public Engagement, and United We Serve. The call would include “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!”

The email invite came directly from Yosi Sergant, then-Director of Communications at the National Endowment for the Arts (NEA), and it advised this hand-picked group that the call was about laying “a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”

Courrielche describes the call this way: (more…)