It has been almost one year since I began writing here at the Big Blogs of Breitbart.com.  When it all began, I was motivated by the events that brought down Sacramento Music Theatre executive Scott Eckern.  Ironically, his story, which inspired this new avocation also served as a real-life lesson in the new political world we inhabit.  You see, Mr. Eckern was forced to resign his position because it was discovered that he donated money to the anti-same sex marriage Prop. 8 campaign.  Knowing that, I would have been a fool to put my name on the things I’ve written here.  So, “Stage Right” was born.

Since then, I have been fortunate enough to have free-reign on all things theatre at Big Hollywood (gently guided by the collective wisdom of Andrew Breitbart and John Nolte) and I’ve had a fantastic time writing about the industry, about the non-profit world… even about my favorite shows.  But now, things have changed just a bit.

It started with Patrick Courrielche’s now famous expose’ on the NEA Conference Call.  Just like the Scott Eckern story, what bothered me most at the time was the media and especially the left-leaning theatre writers’ attack on Patrick.   Instead of showing any level of skepticism over the appropriateness of staff members of the NEA and the White House coordinating discussions with artists about how they can help move the President’s agenda by creating works of art in favor of specific issues, Patrick was attacked and libeled for the sin of telling the truth and bringing the subject to light.

Next came the media’s reaction to James O’Keefe and Hannah Giles’ blockbuster series of videos exposing the corruption at ACORN offices from sea to shining sea.  Again, the venom and outrage is directed at the messenger while the message gets rationalized and obfuscated.  This story raised my ire to such a degree that I began posting at Big Government. (more…)

President Obama announced he plans to nominate Patrick Corvington to be chief executive of the Corporation for National and Community Service, which oversees Senior Corps, AmeriCorps, and Learn and Serve America. Big Government readers will remember that “the Corporation” assumed a prominent role on the infamous NEA Conference call, where ”the Corporation’s” Nell Abernathy joined White House and NEA officials to nudge artists to produce works supporting the Obama Administration’s legislative priorities.

Although the charity Corvington works for, Annie E. Casey Foundation of Baltimore, Maryland, has granted funding to ACORN during his tenure, it is unclear if Corvington has ties to ACORN.

Nonetheless, Corvington is part of the same cluster of organizations that provides financial and other support for ACORN which is a longtime fixture in the activist community.

Since 2001 the Annie E. Casey Foundation has pumped at least $1,705,500 into the ACORN network, according to philanthropy database information.

Of the $1,705,500, at least $850,500 was earmarked for ACORN operations in Baltimore, Maryland, home of the ACORN branch office first shown in the recent undercover videos that debuted on BigGovernment.com. Those videos show James O’Keefe and Hannah Giles pretending to be a pimp and a prostitute and receiving mountains of advice on evading laws pertaining to tax evasion and prostitution (among other things).

The Annie E. Casey Foundation is a major funder of other groups on the left.

Looking at just the first letter of the alphabet, its grant recipients are labor federation AFL-CIO, abortion rights think tank Alan Guttmacher Institute, and liberal policy shop the Aspen Institute.

Although most of its grants go to groups on the political left, the foundation has funded at least one think tank on the political right. It has provided a few grants to the American Enterprise Institute.

At first glance, the National Endowment for the Arts (NEA) conference call of August 10th, 2009sounds innocent enough because it’s supposedly been organized by Michael Skolnik, political director for Russell Simmons and someone not officially associated with any government agency. Skolnik appears to be acting independently as a concerned citizen and to have taken it upon himself to gather together a group of artists and art organizations hoping to move them towards “national service.” And how nice of the White House, the federal government and the NEA to make the time to participate in the call and aid this group of American artists motivated to help their country and community.

But this is only how things appear.

All evidence points to the fact that the conference call was a ruse, a front for a White House using Skolnik as a kind of beard in order to put an innocent spin on their abuse of the NEA and two non-partisan volunteer organizations (United We Serve – an initiative overseen by The Corporation for National and Community Service – a federal agency, and the White House’ Office of Public Engagement).

The goal: To motivate a group of hand-picked pro-Obama artists (grant recipients or those wanting grants) to push the President’s flagging agenda, especially health care — and to funnel this promotion through the ACORN related- Serve.gov website.

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Documentation gathered by Big Hollywood’s Patrick Courrielche and the Washington Times, coupled with a newly revealed audio recording of the full conference call, points to eight troubling facts that put the full context of the call in a very disturbing light. (more…)

On August 25th 2009, Big Hollywood’s Patrick Courrielche broke the story of a conference call he attended with other “rising artist and art community luminaries”:

On Thursday August 6th, I was invited by the National Endowment for the Arts to attend a conference call scheduled for Monday August 10th hosted by the NEA, the White House Office of Public Engagement, and United We Serve. The call would include “a group of artists, producers, promoters, organizers, influencers, marketers, taste-makers, leaders or just plain cool people to join together and work together to promote a more civically engaged America and celebrate how the arts can be used for a positive change!”

The email invite came directly from Yosi Sergant, then-Director of Communications at the National Endowment for the Arts (NEA), and it advised this hand-picked group that the call was about laying “a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”

Courrielche describes the call this way: (more…)