It isn’t often that matters of art enter the political news cycle. The Obama administration is determined to change that. Over the holiday week, Andrew Breitbart’s Big Government drew its readers’ attention to the ornamentation on the White House Christmas tree–in particular, an ornament featuring a picture of the Chinese dictator Mao Zedong.

This season’s Christmas decorations, recycled and reappropriated by “community groups” with ornaments from previous White House installations, were the brainchild of Simon Doonan, the Pop Art gadabout tapped by the White House for the occasion. Doonan is most well known for his controversial window displays at the Barneys New York department store, which have included dioramas of Margaret Thatcher in dominatrix wear and Dan Quayle as a ventriloquist’s dummy.

The news of the White House’s holiday hijink reached around the globe. The most interesting commentary came out of the smackdown between the art critic for the Los Angeles Times Christopher Knight and Breitbart. I have had my run-ins with Knight myself. On this occasion, Knight thought he outdid the right-wing commentators by making a distinction between any old portrait of Mao and “Andy Warhol’s ‘Mao ‘”—from which the White House ball derived.

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Why let a holiday season come between the White House and making some political statements? The White House pegged controversial designer Simon Doonan to oversee the Christmas decorations for the White House. Mr. Doonan, who is creative director of Barney’s New York has often caused a stir with his design choices. Like his naughty yuletide window display of Margaret Thatcher as a dowdy dominatrix and Dan Quayle as a ventriloquist’s dummy. For this year’s White House, he didn’t disappoint.

These photos of ornaments on the White House Christmas tree in the Blue Room were taken just days ago. Of course, Mao has his place in the White House.

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