Post updated with author’s note.
Author’s Note: This article includes three images that clearly denigrate Islam and the Prophet Mohammed. So there is absolutely no question about the provenance of these images, I would like to direct all readers to Wikipedia’s authoritative write-up on the matter. These images were included in a dossier that aggrieved imams living in Denmark took with them to the Middle East specifically to stoke outrage at a dozen cartoons published in September 2005 in the Danish newspaper Jyllands-Posten. The images include an amateurish doodle identifying Mohammed as a pedophile, a dog humping a prostrate praying Muslim (with the caption, “This is why Muslim pray five times a day”), and a photocopy of a French comedian in a pig-squealing contest (with the phony caption, “Here is the real image of Mohammed”). It is nothing less than amazing that holy men decrying the desecration of their religion would create such foul images, but there you have it. It is as if the pope created “Piss Christ” and then passed it off as the work of critics of Catholicism. The images below may indeed give offense, not just to Muslims but also to people of all faiths and even atheists. If they do, remember who created and distributed
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The deadline for submitting work to Reason’s Everybody Draw Mohammed contest has passed; winners will be announced at Reason.com on Thursday, May 20.
All that remains is anticipation, both of the artwork that will be displayed and the possible threats of violence that will likely follow. Or should that be “the likely threats of possible violence”?

Before the calendar page turns to Thursday, it’s worth meditating on the whys and wherefores of the contest, which was inspired by a jihadist death threat against the creators of South Park and was originally suggested by Seattle artist Molly Norris. Soon after asking everyone to draw the Prophet in solidarity with the arguably millions of people repressed by threats of theologically justified violence, Norris herself went into ideological hiding, suggesting instead that everyone draw another target of South Park satire: former Vice President Al Gore.
While Gore, who likes to credit himself with understanding the architectonics of cyberspace (if not creating them) and who way back when convened Congressional hearings to discuss the dread menace of satanic heavy metal lyrics (via con diablo, Ronnie James Dio!), is certainly worthy of the sort of ongoing abuse that only a fully distributed Internets can deliver, the obvious reason that Norris changed her target is real and potential violence.
Who can blame her? People have been killed for representing Mohammed in ways that displeased Islamic terrorists. People have been punched and kicked and forced into hiding. No wonder, then, that Norris, like Galileo in front of a Catholic tribunal, apologized to ”everyone of the Muslim faith who has or will be offended” by her drawing (visible at the right). This conditionally unconditional language is the language of the forced penitent, of the prisoner in a totalitarian world, of the sad sack on the Catherine Wheel who will say anything, will confess anything to get off the rack. We all understand exactly why such language is being used: The threat of violence.
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