On April 3^rd, Chinese artist and citizen investigator Ai Weiwei was taken into custody by his government while attempting to fly from Beijing to Hong Kong. Initially, Chinese law enforcement would not disclose the reason, but yesterday announced they were investigating him for “suspected economic crimes.” His whereabouts are still unknown.

With the Arab world’s civil unrest in the periphery, many China critics believe the arrest of Ai Weiwei (pronounced EYE-Way-Way) is part of a recent crackdown on Chinese dissidents to stop any climate of protest from migrating into their borders. For nearly two-months, China has been arresting well known writers, human rights lawyers, and activists – making some completely vanish within their penal system. With well over a billion people under their governance, China’s leaders should fear demonstrations given their abysmal free speech and human rights record.

But the arrest of Ai Weiwei is markedly significant for one simple reason – he is one of their most prolific artists. Ai Weiwei was the “creative consultant” for the country’s iconic Beijing National Stadium – or what many refer to as China’s Olympic Bird’s Nest stadium. With the arrest of such a prominent figure, the country has sent the message to their people that no one, no matter how internationally heralded, is safe if they openly critique the government. And Ai Weiwei has done his share of criticizing. (more…)

Many conservatives and libertarians think of labor unions as merely the grassroots muscle behind the progressive movement. Showing up as a swarm of purple shirts, with the forearms of a lumberjack and a penchant for terrorizing teenagers, labor unions have always been considered the rough and rugged group that intimidate their opponents through the “persuasion of power.”

But if you haven’t thought of the labor movement as a cerebral bunch, think again. Meet Peter Dreier, Donald Cohen, Nelson Lichtenstein, and their syndicate of progressive university professors – the “intellectual infrastructure” of the progressive labor movement.

It is no secret that progressives have created a self-cloning machine by hijacking our educational system. Their indoctrination efforts are well documented. But we rarely think of research institutions as propaganda factories. A Request for Proposal (RFP) — see document above — recently obtained by Big Journalism gives us a rare look at how progressives and labor unions attempt to manipulate the national media narrative.

And their process? you may ask. Use the credibility and resources of the American higher education system to create researchprop – biased collegial research papers that serve as propaganda to support political policies.

Entitled Cry Wolf, the RFP proclaims a desire to look “for faculty and graduate students… interested in writing short (2,000 word) policy briefs” that “construct a counter narrative that demonstrates the falsity or exaggeration” of conservative claims. Writers of briefs selected by the project coordinators will receive 100,000 pennies for their thoughts. (more…)

The common thread of legitimate governments is not to preserve liberty – we in the United States are spoiled with that lofty constitutional goal. In practice, the actual universal role of government is to preserve stability. It is the one role that cuts right to the front of the line in times of crisis. When at war the government infringes on individual liberty to ensure stability. When a large group makes demands of the state through displays of rage, the government more often than not acquiesces to their demands if the situation becomes too tenuous. When the economic systems falter, the government comes in and selects winners and losers, inevitably eroding civil liberties with the intention of restoring stability.

In crunch time, preserving stability trumps all other roles of the state.

It is through this lens that we should look at the response to Arizona’s brave action in addressing illegal immigration. Regardless of one’s feelings towards fairness and the rule of law, 12 million illegal immigrants will never be deported. Never. Their voices will grow louder, and fueled by politician’s desire to use them as political weapons, this group’s megaphone will eventually become a billy club – ultimately making the situation unstable enough to force government to act in their favor. The coming instability caused by illegal immigration is as sure a fact as death and taxes. Our foreign visitors will eventually win citizenship because the government has done little to decrease the power that has come with their numbers.

Politicians that desire to have any relevance in the foreseeable future, who want their party to have a voice in public policy, and ultimately have the numbers to make their policy law, must win the hearts and minds of this community. As abrasive as the thought feels of succumbing to the demands of those in this country illegally, they must be embraced as long-term allies.

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Over the years I’ve come to think of organizations as living beings – with an amorphous body, ideas as its defense mechanism, and an insatiable appetite for growth. A virtual organism if you will. And as we know with any organism, when cornered it will do (or say) just about anything to survive.

In its quest to pass health care reform, being cornered is the plight of the virtual organism we call The Administration.

We don’t know the intricacies of the current Senate bill being drafted behind closed doors. But what we do know is that one of its cornerstones is government imposed, individual mandates for health insurance. If this element is left in the bill, our government will be given the power to force individuals into purchasing health insurance, or else be fined – giving new meaning to the term cost of living.

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A few days ago I received a call from my cousin. He’d been hearing some chatter from the family about something happening with a series of NEA articles that I’d written for Big Hollywood and wanted to find out from the horse’s mouth what was going on. His question was simple and concise.

“What did the White House do wrong,” he asked.

“The White House attempted to use federal agencies for political gain,” I blurted out.

President Obama with former NEA Communications Director Yosi Sergant

And that is The Big Truth in a nutshell. A moment of clarity hit me, and as with most eureka moments, a path of how to explain this big truth came into sight. The full story needed to be told – including possible collusion, the White House’s novel mode of operation, and the eventual cover-up – to fully understand and illuminate the government’s intention with their arts effort.

Up until now, I have not discussed Sergant’s former job in the White House Office of Public Engagement, where Buffy Wicks currently resides, because the story had to develop to understand the significance. I also haven’t discussed the email that I received from Michael Skolnik, the moderator of the call, immediately after the publication of the original conference call article – an email that attempted to revise history and the role of the NEA and the White House in the meeting. And what has yet to be discussed is the White House’s recent ability to set up an ArtistCorps, brought into existence with less than 20 words in the Serve America Act. (more…)

**NEA conference call full audio and transcript here**

Should the National Endowment for the Arts encourage artists to create art on issues being vehemently debated nationally?

That is the question that I set out to discuss a little over three weeks ago when I wrote an article on Big Hollywood entitled The National Endowment for the Art of Persuasion?”

The question still requires debate but the facts do not.

The NEA and the White House did encourage a handpicked, pro-Obama arts group to address politically controversial issues under contentious national debate. That fact is irrefutable.

President Obama with the NEA’s Yosi Sergant

But some have claimed that the invite and passages, pulled from the conference call that inspired the article, were taken out of context. Context is what I intend to establish here.

On August 10th, the National Endowment for the Arts, the White House Office of Public Engagement, and the Corporation for National and Community Service hosted a conference call with a handpicked arts group. This arts group played a key role in Obama’s arts effort during his election campaign, as declared by the organizers of the call, and many on the call played a role in the now famous Obama Hope poster. (more…)